Posts Tagged ‘martial law’

BRONZE STATUES ARE BUSY – Hung Hung

5月 22, 2014

bronze statue

Hung Hung
MARTIAL LAW ERA – AFTER HEARING THAT SUN YAT-SEN’S STATUE AT THNG TEK-CHIONG PARK IN TAINAN HAD BEEN TORN DOWN

all those bronze statues
are busy at night
patrolling the streets
lest people get drunk and say the wrong thing or kiss in the alleys
or play mahjong at home
statues will check at the newspaper press
is there a piece on the chief like last year?
is there a space for respect at the top?
has someone scribbled in the blank spot?

bronze statues are busy
they are scared of too many things
scared stamps could bear other portraits
scared streets and squares, schools, libraries
would all change their names
no more school kids saluting
no more chatting with sparrows
scared that one day
there’d be a rope
to pull them down

“mama, why is the statue green in the face?”
“no finger-pointing, your fingers fall off!”
“mama, the statue hides for a smoke at the fire brigade!”
“he just takes a break, he got burned in the sun every day.”

those statues have long forgotten the killings
of another generation
forgotten how they are still being used
they only remember the heat of the forge
it was hard to bear
and once you cool down, then come the years
standing empty and cold

Written on the eve of Febr. 28th, 2014,
67 years after the Febr. 28th, 1947 massacre.
Tr. MW, May 2014

鴻鴻
戒嚴年代–聞湯德章公園孫文銅像被拆

那些銅像
深夜很忙
要滿街巡邏
有沒人酒醉講錯話或在暗巷接吻
還是哪一家在打麻將
要去報紙印刷廠
檢查去年的文告有沒登在
今年的頭條
頂上有沒空一格
空的一格有沒被塗鴉

銅像很忙
因為他們害怕的事太多
害怕郵票換成別的頭像
害怕街道、廣場、學校、圖書館
換上別的名字
害怕小學生經過不再敬禮
雀鳥不再來閒聊
害怕有一天
被繩子一拉
就倒

「媽媽,為什麼銅像的臉是綠的?」
「不要亂指,手指會爛掉!」
「為什麼銅像躲在消防隊抽菸?」
「他每天曬太陽好可憐,要休息一下。」

銅像早忘了前世的殺戮
也忘了今世如何被利用再三
只記得鍛燒的烈火
多麼煎熬難忍
而冷卻後的歲月
又是多麼荒涼

2014.228前夕

I was very astonished when I first saw the picture. It does look like violence, the statue is smeared red. The poem is a revelation. Why would people have something against Sun Yat-sen? Nice guy, compared to what came later. Late retribution, for the killing of Thng Tek-Chiong, governor of Tainan in 1947, one of the first dead in the February 28 massacre? Sun Yat-sen is rather far from home in Tainan, far from his home base. I remember that small park near the train station in Taipei, where Sun Yat-sen lived when he visited Taiwan, it was a Japanese hotel back then. Small garden, very peaceful. A little forlorn and frail among the hustle and bustle around Taipei train station. Why would anyone be angry at a statue of Sun Yat-sen? In 2011 and early 2012, there were many conferences around the world in memory of the 1911 辛亥革命. People talked about many interesting things, but something like this? Without this poem, I would never have thought people would think that way about these statues. Not that much. So many killings back then, so much White Terror in decades, and no retribution. And the KMT still in power. There is repressed violence in people’s hearts, and everybody can count there lucky stars if they take it out only on statues.

Taiwan is a very peaceful and safe place, all in all. One-party dictatorship does create a sense of security for some, at least in retrospect. The world gets more complicated in those new-fangled pluralist societies. So there are people who blame the subway knife attack of a deranged student on May 21 on the student-led protests in March and early April this year. In Austria, the shameless tabloid that is much bigger than Murdoch and Berlusconi in their countries, still says things like all demonstrations and protest are leftist, and cost a lot of public money. When there are anti-foreigner rightists marching in Vienna, and the police need to protect them, it is not their fault, right? And if they want to have a ball in the emperor’s palace and parade on the square where Hitler proclaimed the Anschluss in 1938, it is their right and they should be protected, and if the whole city center is full of police barricades, it is the fault of those leftists. 

It’s the other way around! In a more open society, there is much less repressed violence. Look at the recent bloody clashes and attacks in many cities in China. That won’t get less, probably. Taiwan people should be very proud of that big, peaceful demonstration on March 30. Their country has become a much better place through the changes of the last 25 years. The KMT could and should be proud of that, too. But they are the 中國國民黨, so they have to think about stability in a much bigger way, don’t they?

Ai Weiwei

4月 8, 2011

Interesting. Please click on the Global Times link (also at the bottom), read the article and then click on the “Related” links under the article. These other stories add a lot of perspective, through earlier and mostly positive Global Times coverage of Ai Weiwei’s various projects and activities. I remember seeing Lian Chan 連戰 on TV in Taiwan in the 1980s*. He was prime minister then, I think. Kept saying “Yi fa bali! 依法辦理”. To be handled according to law. Everything should be handled according to law. This was already after martial law 戒嚴 was lifted 解嚴 in 1987. But many opposition figures and activists were still in prison (they had a prison island, “Green Island” 綠島, for example) or barred from returning to Taiwan. Martial law had been lifted, but many laws from the One-Party-rule were still on the books, and actually still enforced (See the poem “After Martial Law Was Lifted – In Commemoration of Lifting Martial Law in Taiwan on July 15th, 1987” by Li Qin’an [李勤岸 – 解嚴以後 – 一九八七年七月十五日臺灣解嚴紀念] http://blogs.yahoo.co.jp/dujuan99nihon/30163376.html). Now which law is the Global Times article referring to? Let US bake our cake of social progress and eat it at the same time, and have it OUR way, and let nobody in the world talk too much about it, because this is the LAW. Right?
Very interesting how they keep on contradicting themselves. “Was said to have been detained”. Was he, or was he not? Maybe just kidnapped? “It was reported his departure procedures were incomplete.” Interesting. So which law will not concede before Ai Weiwei? Which departure procedures law? No, it’s THE LAW. Shoot first, deflect questions later.* Happens in every society.

Martin

======================================

Global Times (4/6/11):
http://en.huanqiu.com/opinion/editorial/2011-04/641187.html
Law will not concede before maverick
法律不会为特立独行者弯曲_评论_环球网: http://bit.ly/hwH7G4, most discussed on @dujuan99/china (http://bit.ly/evC5Ka) See also China Geeks (4/8/11).

魏京生: 从艾未未事件看中国法制的演变

Geremie Barme on Ai Qing and Ai Weiwei

Nude photos and other incriminating activities of Ai Weiwei

It’s really very simple, and even seems a bit tedious when you think about it. Yet I go on watching these shows. What else would you have me look at, dear readers?

Salman Rushdie

Who is afraid of Ai Weiwei?(Language Log)

貝嶺:裸體公民艾未未 (China Times, also in Ming Pao)

Naked Citizen Ai Weiwei (Ming Pao, Hong Kong, May 2011)

Photo by Katharina Hesse

There are many relations of this case to other arrests like the one on April 8 of Zhao Lianhai 趙連海, speaker for parents whose children had been poisoned by tainted milk.
Zhao had been released on parole after beeing imprisoned for “disturbing the peace”. But on April 6, he uplaoded a moving video, holding his child and trying to make a public statement at home.

FAZ

*This blog entry started out as a post on the MCLC email listserv. A lively discussion ensued. Andrew Field pointed out that Lu Xun 魯迅 and many other modern writers were banned in Taiwan under martial law. James Dew, Tim Wong, Kirk Denton, Christopher Lupke and others remembered how foreign students read these writers in a special room at Taiwan University, and how Chen Yingzhen 陳映真 connected to Lu Xun and the May Fourth tradition. Chen was imprisoned for “pro-communist activities”. Tai Jingnong 台静农 (1903~1990), a well-known writer and painter in Taiwan, was originally a student of Lu Xun.

* Jerome Cohen uses a similar expression in the South China Morning Post (4/27/11): “Second, it also seems clear that, whatever the evidence being assembled about tax evasion or other charges, this was not the motivation for Ai’s detention. This case started out on a ‘detain first and look for justification later’ basis.”

Chinese rock music related to Ai Weiwei: http://www.zuoxiaozuzhou.com/, via Jeroen Groenewegen

南都社论: 躺在时间的河流上怀念他们

見るだけ歓迎 いらっしゃいませ

3月 2, 2010

http://www.formspring.me/dujuan99

Es lohnt sich nicht zu leben – Yang Ze

8月 17, 2009

Es lohnt sich nicht zu leben – Yang Ze (1990)

Es lohnt sich nicht zu leben.
Früher, vielleicht
hatte ich eine böse Ahnung.
Früher, vor dem jungen bewegenden,
bewegenden Tier auf deiner Haut,
vor dem Papayabaum im Dunkel
des in seiner Höhe perfekten Balkons und der Sterne,
und vor der Nacht – der Nacht der Zauberflöte
und des Einhorns, die allen Liebenden angehört –
wenn die Zauberflöte schrillt,
schrillt durch die Zimmer, dann wird sie kühler,
dann kehrt das Horn zu jenem letzten,
zu jenem ersten Morgengrauen der Steppe zurück …

Es lohnt sich nicht zu leben.
Früher hatte ich schon diese Ahnung.
Früher war ich noch nicht relativ
und du warst noch nicht absolut – ehrlicher,
tapferer Liebesinstinkt wilder Hasen
und dann dieses (hochgradig zweifelhafte)
widersprüchliche Temperament
mit der Tendenz zum Gefühlvollen,
mit der Tendenz zum Tempo,
mit der Tendenz von der Illusion her
zu ein wenig Besessenheit und Wahn –

Es lohnt sich gar nicht zu leben.
Früher, noch vor den Büchern,
vor der Musik und der Malerei – ganz am Anfang
hatte ich schon eine dunkle Ahnung.
Grünes Licht und blaue Rosen,
Joints und Zen.
Ich träumte von dir: Mofa-Mädchen
macht einen kopflosen Reiter auf einem Bild nach,
mit deiner dichten schwarzen Mähne rast du
ins Morgengrauen über der Steppe …
Wenn die Zauberflöte schrillt
bis sie kalt geworden ist –
Liebe und Tod sind ein Zaubertrank, zweifellos
wie der Sonnenuntergang auf dem Meer
ewig wie Gewalt und Wahn …

Es lohnt sich nicht zu leben.
Bevor die laufende Elefantenherde am Ufer,
das Meer und der ferne Himmel zusammen alt werden:
düster leckt das junge Tier seine Wunden,
nur um deine früheste und deine letzte
Sentimentalität zu bewahren,
bin ich bereit, den Griff für die Klinge zu halten,
als ein unermüdlicher,
tausendmal besiegter Krieger
wie ein Murmeltier, so will ich
gerne fleißig weiterleben,
obwohl vor deinen Illusionen,
vor meinem Nichts, vor deiner
Höhle, und meinem Licht –
obwohl es sich nicht lohnt zu leben.

MW August 2009 übersetzt

 

人生不值得活的 – 楊澤 (1990)

人生不值得活的。
稍早,也許
我就有了不祥的預感。
稍早,早於你幼獸般
動人動人的花紋,早於
暗中的木瓜樹
高度完美的陽台與星
早於夜晚–屬於所有情人的
魔笛和獨角獸底夜晚;
當魔笛吹徹
魔笛終因吹徹小樓而轉涼
號角重返那最後
與最初的草原黎明……

人生不值得活的。
稍早,我便有了如此預感。
稍早,早於我的相對
你的絕封―野兔般
誠實勇敢底愛欲本能
還有那(讓人在在難以釋懷)
駁雜不純的氣質
傾向感傷,傾向速度
也傾向,因夢幻而來的
一點點耽溺與瘋狂

人生並不值得活的。
更早,早於書本
音樂及繪畫―一開始
我就有了暗暗的預感。
綠光和藍薔薇
大麻煙捲與禪
我夢見你:電單車的女子
模仿固畫裡的無頭騎士
拎著一頭黑濃長髮,朝
草原黎明疾馳離去……
當魔笛再度吹徹
魔笛終因吹徹而轉寒
愛與死的迷藥無非是
大海落日般–
一種永恒的暴力
與瘋狂……

人生不值得活的。
在岸上奔跑的象群
大海及遠天相偕老去前:
暗舔傷口的幼獸哪
只為了維護
你最早和最終的感傷主義
我願意持柄為鋒
作一名不懈的
千敗劍客
土撥鼠般,我將
努力去生活
雖然,早於你的夢幻
我的虛無;早於
你的洞穴,我的光明―
雖然,人生並不值得活的。