Archive for the ‘August 2013’ Category
3月 16, 2022
Huang Pingzi
SOMMER
Reis
senkt wie Mutter den Kopf
Mutter
beugt sich hinunter wie Reis
Mutter
schneidet den Reis mit der Sichel
Reis
schneidet mit Halmen Mutter ins Gesicht
Übersetzt von MW im März 2022
新世纪诗典11，NPC3月17日，4000首，1243人。第2个黄平子（江西）日
《新世纪诗典》大节点一4000首纪念日！
《新诗典》小档案：黄平子，男，70后，中学教师，在《新世纪诗典》、《磨铁读诗会》、《诗快报》等发表作品。磨铁读诗会2020年度汉语十佳诗人。傲夫诗社成员。写作是一种编码的过程，阅读是一种解码的过程。
伊沙推荐：《新世纪诗典》，第4000首推荐诗，留给一首极具经典性的作品。如果没有最后一句质感十足的蛰人句子，这只是一首很一般的诗，有了此句，一跃而居上品，这便是句的重要性，以及句与篇的关系。
伊沙：《新世纪诗典》4000天纪念日，萧衍有言：刻意为之，不算功德一一以此言自勉，走向未来。
况禹点评《新诗典》黄平子《夏天》:诗是一种非常奇特的文学体裁。奇就在于它不能以逻辑和因果来判定成败。有的诗，句句惊人，捏合到一起不成样子，甚至到结尾彻底掉了链子。有的诗，句句平易，临到结尾却来了句漂亮的翻转。本诗即是后者的一个代表。
黄平子读黄平子《夏天》
——《新世纪诗典》4000
夏天
黄平子
水稻
像母亲一样低头
母亲
像水稻一样弯腰
母亲
用禾镰割水稻
水稻
用叶子割母亲的脸
2021年11月30日6点49分
黄平子，男，70后，中学教师，在《新世纪诗典》、《磨铁读诗会》、《诗快报》等发表作品。磨铁读诗会2020年度汉语十佳诗人。写作是一种编码的过程，阅读是一种解码的过程。首先，要感谢磨铁，感谢沈浩波，里所，后乞。《夏天》先在磨铁读诗会选用。磨铁的肯定，增加了我投稿新世纪诗典的信心。其次，感谢伊沙，感谢他的选稿，感谢他在新世纪诗典4000首大关这个重要节点推荐《夏天》。第三，感谢《夏天》的评论者，翻译者，推荐者。《夏天》是写母亲的，也不仅仅写母亲。《夏天》是写童年记忆的，记忆里有苦痛，又不仅仅是苦痛。我喜欢夏天，喜欢夏天的热。在最热的夏天，我也不戴草帽，一任炎热的太阳晒出我的汗，晒脱我的皮。我一直很怕冷，夏天很好，不用愁没有衣服穿，大不了打赤膊。夏天是农村的收获季节。水稻在夏天成熟，花生在夏天成熟，西瓜在夏天成熟……虽然夏天忙得人直不起腰来，但是忙过了就有吃，有什么不好呢？我的老家太窝要山没山，要水没水。我们一家人就靠几亩薄地糊口。我父亲结扎后身体不好，家里的活大多由母亲做。在农村，割稻子是最辛苦的事。头顶有烈日，脚下有泥水。水稻的长叶子上长着锯齿，像一把把小锯子。一发稻子割下来，脸上、手上，到处都是血口子。稻子上还有细细的绒毛，沾到身上，有说不出的痒。天太热，湿答答的衣服又捂出了一身痱子……这让人又爱又恨的夏天啊！2022年3月16日20点43分
我的新长征之路
黄平子
从《小萝卜头》
到《夏天》
从1.0
到2.0
从3450
到4000
我整整走了
550天
此时
中央红军
已经胜利到达
陕西吴起镇
完全了
举世闻名的
二万五千里长征
2022年3月16日21点31分
标签：bending, body, cut, 黄平子, face, food, Huang Pingzi, leaves, mother, NPC, plant, poetry, rice, work, 新世纪詩典
发表在 1970s, 1980s, 1990s, 2000s, 2010s, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2020s, 2021, 2022, 20th century, 21st century, April 2011, April 2012, April 2013, April 2014, April 2015, April 2016, April 2017, April 2018, April 2019, April 2020, April 2021, August 2011, August 2012, August 2013, August 2014, August 2015, August 2016, AUGUST 2017, August 2018, August 2019, August 2020, August 2021, March 2022, Middle Ages, November 2011, November 2012, November 2013, November 2014, November 2015, November 2016, November 2017, November 2018, November 2019, NOVEMBER 2020, November 2021, NPC, poetry, Translations, 新世纪诗典 | Leave a Comment »
4月 3, 2021
10 YEARS – NPC十岁了！
10 years ago, Yi Sha 伊沙 began to present one poem each day on Chinese social media. This has become a representative collection of new poetry in the new century, aptly named NPC, New Poetry Canon 新世纪诗典.
Eight years ago I began to look for NPC poems each day, translating more and more into German and English. In 2014 my own poetry appeared on NPC for the first time. After two books of Yi Sha’s poetry, I have now published, along with Juliane Adler, the first book of a 4-volume-series of NPC poetry in Chinese and German. Here are the contents:
BRETT VOLLER NÄGEL 布满钉子的木板
NPC-Anthologie 新世纪诗典
Band 1: A–J. Gedichte
Chinesisch/Deutsch
Übersetzt von Martin Winter
Herausgegeben von Juliane Adler und Martin Winter
ISBN 978-3-903267-00-8
Lieferbar
€ 24.00
Bestellen
ORDER HERE
标签：3A, A Ti, A Wen, A Wu, A Yu, AAA, Ai Hao, Ai Mi, An Qi, anthologies, anthology, Ao Yuntao, Bai Diu, Bai Li, Bei Dao, Bei Lang, Benben S.K., book, Cai Xiyin, Caiwong Namjack, Caomu Xin, Cha Wenjin, Chang Yuchun, Chao Hui, Che Qianzi, Chen Moshi, Chen Yanqiang, Chen Yulun, Chen Yunfeng, Cheng Bei, Cheng Tao, Chun Sue, Cong Rong, 独禽, 白立, 秦非, 程涛, 笨笨 s.k., 第广龙, 簡天平, 纪彦峰, Da Duo, Da You, Dai Guanglei, Dechen Pakme, Denis Mair, Di Guanglong, Dong Yue, Du Qin, Du Sishang, Du Zhongmin, Duo Er, Eryue Lan, Ezher, 耿占坤, 胡赞辉, 胡泊, 金山, 艾米, 艾蒿, 艾孜哈尔, 草木心, 蒋彩云, 蔡喜印, 蔣雪峰, 蔣濤, 阿煜, 阿吾, 阿嚏, 阿文, 陈玉伦, 陈衍强, 陈默实, 陈云峰, 虎子, 韩敬源, 韩永恒, 韩东, 高歌, 鬼石, 谷驹休, 鴻鴻, 鸿鸿, 黄礼孩, 黄翔, 黄开兵, 黄海, 黄海兮, 车前子, 龚志坚, Fa Xing, Fei Qin, Feng Xuan, Gang Jumu, Gao Ge, Geng Zhankun, German, Gong Zhijian, Guangtou, Gui Shi, Hai An, Hai Jing, Hai Qing, Han Dong, Han Jingyuan, Han Yongheng, Hong Junzhi, Hou Ma, Houhou Jing, Hu Bo, Hu Zi, Huang Hai, Huang Kaibing, Huang Lihai, Huang Xiang, Hung Hung, Huzi, Ji Yanfeng, Jian Tianping, Jiang Caiyun, Jiang Erman, Jiang Rui, Jiang Tao, Jiang Xinhe, Jiang Xuefeng, Jianghu Hai, Jin Shan, Jun Er, language, languages, literature, media, people, poetry, poets, social media, time, translation, yi sha, 光头, 公子琴, 冈居木, 冯谖, 北岛, 北浪, 发星, 君儿, 大友, 大朵, 姜馨贺, 姜二嫚, 安琪, 常遇春, 德乾恒美, 成倍, 才旺南杰, 摆丢, 敖云涛, 春树, 朝晖, 朵儿, 杜思尚, 杜中民, 查文瑾, 梅丹理, 江睿, 江湖海, 洪君植, 海菁, 海青, 海岸, 三个A, 东岳, 二月蓝, 从容, 代光磊, 侯马
发表在 2000s, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2010s, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 20th century, 21st century, April 2011, April 2012, April 2013, April 2014, April 2015, April 2016, April 2017, April 2018, April 2019, April 2020, April 2021, August 2011, August 2012, August 2013, August 2014, August 2015, August 2016, AUGUST 2017, August 2018, August 2019, August 2020, December 2011, December 2012, December 2013, December 2014, December 2015, December 2016, December 2017, December 2018, December 2019, December 2020, Februar 2017, February 2012, February 2013, February 2014, February 2015, February 2016, February 2018, February 2019, February 2020, February 2021, January 2012, January 2013, January 2014, January 2015, January 2016, January 2017, January 2018, January 2019, January 2020, January 2021, July 2011, July 2012, July 2014, July 2015, July 2016, JULY 2017, July 2018, July 2019, July 2020, June 2011, June 2012, June 2013, June 2014, June 2015, June 2016, June 2017, June 2018, June 2019, June 2020, Literadio, March 2011, March 2012, March 2013, March 2014, March 2015, March 2016, March 2017, March 2018, March 2019, March 2020, March 2021, May 2011, May 2012, May 2013, May 2014, MAY 2015, May 2016, May 2017, May 2018, May 2019, May 2020, Middle Ages, November 2011, November 2012, November 2013, November 2014, November 2015, November 2016, November 2017, November 2018, November 2019, NOVEMBER 2020, NPC, October 2011, October 2012, October 2013, October 2014, October 2015, October 2016, October 2017, October 2018, October 2019, OCTOBER 2020, poetry, September 2011, September 2012, September 2013, September 2014, September 2015, September 2016, September 2017, September 2018, September 2019, September 2020, Translations, Yi Sha, 嚴力, 安琪, 新世纪诗典, 江湖海, 伊沙, 侯馬 | Leave a Comment »
4月 3, 2021
Yi Sha
WINTER
On my way to the vegetable supermarket
in our compound
I see a small girl
on a big rock at the artificial lake
right above the ice going to
jump!
I am shouting:
„Don’t jump! Danger!“
But in this time
she has jumped already,
lightly,
safely
landing on the thick surface.
She turns around to me,
makes a ballet move
and becomes a small white swan.
Translated by MW, 4/3/2021
Yi Sha
WINTER
Ich geh zum Gemüsesupermarkt
in der Wohnhausanlage,
seh auf dem Weg ein kleines Mädchen
auf einem Felsen am künstlichen See,
sie will auf das Eis hinunter
springen!
Ich schrei:
„Achtung! Nicht springen!“
aber in der Zeit
ist sie schon gesprungen,
ganz leicht
und sicher
auf dem festen Eis gelandet.
Sie dreht sich zu mir um
in einer Bewegung aus dem Ballett
und wird ein kleiner weißer Schwan.
Übersetzt von MW am 3. April 2021
Yi Sha, orig. name Wu Wenjian. Well-known poet, writer, critic, translator, editor. Born in 1966 in Chengdu, lives in Xi’an. Graduated from Beijing Normal University in 1989. Has written over 20,000 poems, published, translated and edited 122 books. Received the Henry Luce prize for contemporary Chinese poetry and many other awards. Invited to poetry festivals in China, Sweden, England, Netherlands, South Korea etc., incl. the 2nd, 3rd, 4th & 5th Qinghai Lake international poetry festival, the 50th Struga poetry festival in Macedonia and many more. Vermont Studio Center fellow 2014. He has recited at the University of Vienna, at Arizona University etc. 《新诗典》小档案：伊沙，原名吴文健，男，当代著名诗人、作家、批评家、翻译家、编选家。 1966年生于四川成都。1989年毕业于北京师范大学中文系。写诗逾两万首，出版著、译、编122部作品。获美国亨利•鲁斯基金会中文诗歌奖金、韩国“亚洲诗人奖”以及中国国内数十项诗歌奖项。应邀出席瑞典第16届奈舍国际诗歌节、荷兰第38届鹿特丹国际诗歌节、英国第20届奥尔德堡国际诗歌节、马其顿第50届斯特鲁加国际诗歌节、中国第二、三、四、五届青海湖国际诗歌节、第二届澳门文学节、美国佛蒙特创作中心驻站作家、奥地利梅朵艺术中心驻站作家、美国亚利桑那大学为其举办的朗诵会、奥地利两校一刊为其举办的朗诵会与研讨会、2021年世界诗歌日线上国际诗歌节等国际交流活动。
标签：animals, art, artificial, child, children, compound, daily life, danger, girl, ice, jump, lake, life, move, movement, NPC, people, poetry, reality, rock, rocks, season, supermarket, supermarkets, winter, yi sha, 新世纪詩典, 伊沙
发表在 1966, 1970s, 1980s, 1986, 1989, 1990s, 2000, 2000s, 2010s, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 20th century, 21st century, April 2011, April 2012, April 2013, April 2014, April 2015, April 2016, April 2017, April 2018, April 2019, April 2020, April 2021, August 2011, August 2012, August 2013, August 2014, August 2015, August 2016, AUGUST 2017, August 2018, August 2019, August 2020, December 2011, December 2012, December 2013, December 2014, December 2015, December 2016, December 2017, December 2018, December 2019, December 2020, Februar 2017, February 2011, February 2012, February 2013, February 2014, February 2015, February 2016, February 2018, February 2019, February 2020, February 2021, January 2011, January 2012, January 2013, January 2014, January 2015, January 2016, January 2017, January 2018, January 2019, January 2020, January 2021, July 2011, July 2012, July 2014, July 2015, July 2016, JULY 2017, July 2018, July 2019, July 2020, June 2011, June 2012, June 2013, June 2014, June 2015, June 2016, June 2017, June 2018, June 2019, June 2020, March 2008, March 2009, March 2010, March 2011, March 2012, March 2013, March 2014, March 2015, March 2016, March 2017, March 2018, March 2019, March 2020, March 2021, May 2011, May 2012, May 2013, May 2014, MAY 2015, May 2016, May 2017, May 2018, May 2019, May 2020, Middle Ages, November 2011, November 2012, November 2013, November 2014, November 2015, November 2016, November 2017, November 2018, November 2019, NOVEMBER 2020, NPC, October 2011, October 2012, October 2013, October 2014, October 2015, October 2016, October 2017, October 2018, October 2019, OCTOBER 2020, poetry, September 2011, September 2012, September 2013, September 2014, September 2015, September 2016, September 2017, September 2018, September 2019, September 2020, Translations, Uncategorized, Yi Sha, 新世纪诗典, 伊沙 | Leave a Comment »
3月 25, 2021
BRETT VOLLER NÄGEL 布满钉子的木板
NPC-Anthologie 新世纪诗典
Band 1: A–J
NPC stands for New Poetry Canon, or New Century Poetry Canon 新世纪诗典, presented by Yi Sha 伊沙 in Chinese social media each day since spring 2011. NPC outside of poetry is National People’s Congress, China’s parliament that convenes in the Great Hall of the People in Beijing for two weeks each March. Yi Sha’s NPC poem of the day on Sina Weibo 新浪微博, Tencent WeChat 微信 and other platforms gets clicked, forwarded, commented 10,000 times or more, each day. Each year a book comes out, about every week there are events in Xi’an, Beijing and many, many places all over China and beyond. All produced independently from among the people 民间, not by any state organizations. This book contains poems by 81 poets listed below. This is the first volume (A-J) in a series of four books. Compiled and edited by Juliane Adler and Martin Winter, translated by Martin Winter.
ORDER HERE
Bestellen
NPC steht für New Poetry Canon, eigentlich New Century Poetry Canon, 新世纪诗典. Abgekürzt als NPC. NPC steht sonst für National People’s Congress, also der Nationale Volkskongress, Chinas Parlament, das allerdings nur einmal im Jahr im März zwei Wochen lang zusammentritt. Seit 2011 wird von Yi Sha 伊沙 im NPC-新世纪诗典 jeden Tag ein Gedicht vorgestellt, in mehreren chinesischen sozialen Medien zugleich. Oft wird ein einziges Gedicht schon in den ersten zwei Tagen zehntausende Male angeklickt, kommentiert und weitergeleitet. Ein nationaler Poesiekongress und eine umfangreiche Studie der heutigen Gesellschaft. Band 1 präsentiert 81 Autorinnen und Autoren. Wird fortgesetzt.
Cover/Umschlag etc: Neue Arche von Kuang Biao 邝飚 und 3 Grafiken von: An Qi 安琪
Autorinnen und Autoren:
A Ti 阿嚏, A Wen 阿文, A Wu 阿吾, A Yu 阿煜, AAA (3A) 三个A, Ai Hao 艾蒿, Ai Mi 艾米, An Qi 安琪, Ao Yuntao 敖运涛, Bai Diu 摆丢, Bai Li 白立, Bei Dao 北岛, Bei Lang 北浪, Benben S. K. 笨笨. S. K, Cai Xiyin 蔡喜印, Caiwong Namjack 才旺南杰, Caomu Xin 草木心, Cha Wenjin 查文瑾, Chang Yuchun 常遇春, Chao Hui 朝晖, Che Qianzi 车前子, Chen Moshi 陈默实, Chen Yanqiang 陈衍强, Chen Yulun 陈玉伦, Chen Yunfeng 陈云峰, Cheng Bei 成倍, Cheng Tao 程涛, Chun Sue 春树, Cong Rong 从容, Da Duo 大朵, Da You 大友, Dai Guanglei 代光磊, Dechen Pakme 德乾恒美, Denis Mair 梅丹理, Di Guanglong 第广龙, Dong Yue 东岳, Du Qin 独禽, Du Sishang 杜思尚, Du Zhongmin 杜中民, Duo Er 朵儿, Eryue Lan 二月蓝, Ezher 艾孜哈尔, Fa Xing 发星, Fei Qin 秦菲, Feng Xuan 冯谖, Gang Jumu 冈居木, Gao Ge 高歌, Geng Zhankun 耿占坤, Gong Zhijian 龚志坚, Gongzi Qin 公子琹, Gu Juxiu 谷驹休, Guangtou 光头, Gui Shi 鬼石, Hai An 海岸, Hai Jing 海菁, Hai Qing 海青, Han Dong 韩东, Han Jingyuan 韩敬源, Han Yongheng 韩永恒, Hong Junzhi 洪君植, Hou Ma 侯马，Houhou Jing 后后井, Hu Bo 胡泊, Hu Zanhui 胡赞辉, Huang Hai 黄海, Huang Kaibing 黄开兵, Huang Lihai 黃禮孩, Huang Xiang 黄翔, Hung Hung 鴻鴻, Huzi 虎子, Ji Yanfeng 纪彦峰, Jian Tianping 簡天平, Jiang Caiyun 蒋彩云, Jiang Erman 姜二嫚, Jiang Rui 江睿, Jiang Tao 蔣濤, Jiang Xinhe 姜馨贺, Jiang Xuefeng 蔣雪峰, Jianghu Hai 江湖海, Jin Shan 金山, Jun Er 君儿
BRETT VOLLER NÄGEL 布满钉子的木板 NPC-Anthologie 新世纪诗典 Band 1: A–J
Die chinesischen Gedichte sind hauptsächlich erschienen in:
NPC 新世纪诗典 1-6，伊沙 编选 著，磨铁图书 (Xiron), Zhejiang People‘s Publishing 浙江人民出版社, Bände 1-6, herausgegeben von Yi Sha. Hangzhou 2012-2018
NPC 新世纪诗典 7，伊沙 编选 著，磨铁图书 (Xiron), China Youth Publishing 中国青年出版社, Band 7, herausgegeben von Yi Sha. Beijing 2018
NPC 新世纪诗典 8，伊沙 编选 著，磨铁图书 (Xiron), China Friendship Publishing 中国友谊出版公司, Band 8, herausgegeben von Yi Sha. Beijing 2020
Die restlichen Texte stammen aus Internetquellen (Soziale Medien: Sina Weibo, Tencent Weixin etc.) mit freundlicher Genehmigung der Autorinnen und Autoren. Die Texte aus 2019 und 2020-2021 werden in den Büchern NPC 9 und 10 erscheinen.
BRETT VOLLER NÄGEL 布满钉子的木板 NPC-Anthologie 新世纪诗典 Band 1: A–J
标签：3A, A Ti, A Wen, A Wu, A Yu, AAA, Ai Hao, Ai Mi, all, An Qi, animals, Ao Yuntao, Bai Diu, Bai Li, Bei Dao, Bei Lang, Benben S.K., board, bodies, body, book, books, Cai Xiyin, Caiwong Namjack, Caomu Xin, Cha Wenjin, Chang Yuchun, Chao Hui, characters, Che Qianzi, Chen Moshi, Chen Yanqiang, Chen Yulun, Chen Yunfeng, Cheng Bei, Cheng Tao, children, Chun Sue, Cong Rong, contact, continent, cracks, culture, customs, 独禽, 白立, 秦菲, 程涛, 笨笨 s.k., 第广龙, 簡天平, 纪彦峰, Da Duo, Da You, Dai Guanglei, day, Dechen Pakme, Denis Mair, Di Guanglong, discussions, Dong Yue, Du Qin, Du Sishang, Du Zhongmin, Duo Er, Eryue Lan, everything, expression, eyes, Ezher, 耿占坤, 胡赞辉, 胡泊, 金山, 艾米, 艾蒿, 艾孜哈尔, 草木心, 蒋彩云, 蔡喜印, 蔣雪峰, 蔣彩雲, 蔣濤, 阿煜, 阿吾, 阿嚏, 阿文, 陈玉伦, 陈衍强, 陈默实, 陈云峰, 虎子, 高歌, 鴻鴻, 黃禮孩, 黄翔, 黄开兵, 黄海, 黄海兮, 车前子, 龚志坚, Fa Xing, fabrik.transit, face, faces, Fei Qin, Feng Xuan, figures, food, Gang Jumu, Gao Ge, Geng Zhankun, Gong Zhijian, hearts, history, Hong Junzhi, Hou Ma, Houhou Jing, Hu Bo, Hu Zanhui, Huang Hai, Huang Haixi, Huang Kaibing, Huang Lihai, Huang Xiang, Hung Hung, Huzi, island, islands, Ji Yanfeng, Jian Tianping, Jiang Caiyun, Jiang Erman, Jiang Rui, Jiang Tao, Jiang Xinhe, Jiang Xuefeng, Jianghu Hai, Jin Shan, Juliane Adler, Jun Er, language, languages, life, literature, Martin Winter, mask, masks, Mediterranean, memory, men, minds, mountains, mouth, nail, names, night, NPC, pages, paper, people, performance, plain language, poetry, politics, province, religion, ritual, rivers, society, spirit, taiwan, Taiwanese, territory, Tibetan, tongue, translation, Uighurs, voice, volume, women, wood, words, writing, year, yi sha, youth, 冈居木, 冯谖, 北岛, 北浪, 发星, 后后井, 君儿, 大友, 大朵, 姜馨贺, 姜二嫚, 安琪, 常遇春, 德乾恒美, 成倍, 才旺南杰, 摆丢, 敖运涛, 新世纪詩典, 春树, 朝晖, 朵儿, 杜思尚, 杜中民, 查文瑾, 梅丹理, 江睿, 江湖海, 洪君植, 三个A, 东岳, 二月蓝, 从容, 代光磊, 伊沙, 侯马
发表在 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000, 2000s, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2010s, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 20th century, 21st century, Antique times, April 2011, April 2012, April 2013, April 2014, April 2015, April 2016, April 2017, April 2018, April 2019, April 2020, August 2011, August 2012, August 2013, August 2014, August 2015, August 2016, AUGUST 2017, August 2018, August 2019, August 2020, December 2011, December 2012, December 2013, December 2014, December 2015, December 2016, December 2017, December 2018, December 2019, December 2020, Februar 2017, February 2012, February 2013, February 2014, February 2015, February 2016, February 2018, February 2019, February 2020, February 2021, January 2012, January 2013, January 2014, January 2015, January 2016, January 2017, January 2018, January 2019, January 2020, January 2021, July 2011, July 2012, July 2014, July 2015, July 2016, JULY 2017, July 2018, July 2019, July 2020, June, June 2011, June 2012, June 2013, June 2014, June 2015, June 2016, June 2017, June 2018, June 2019, June 2020, Literadio, March 2011, March 2012, March 2013, March 2014, March 2015, March 2016, March 2017, March 2018, March 2019, March 2020, March 2021, May 2011, May 2012, May 2013, May 2014, MAY 2015, May 2016, May 2017, May 2018, May 2019, May 2020, Middle Ages, November 2011, November 2012, November 2013, November 2014, November 2015, November 2016, November 2017, November 2018, November 2019, NOVEMBER 2020, NPC, October 2011, October 2012, October 2013, October 2014, October 2015, October 2016, October 2017, October 2018, October 2019, OCTOBER 2020, poetry, PR, September 2011, September 2012, September 2013, September 2014, September 2015, September 2016, September 2017, September 2018, September 2019, September 2020, Translations, Uncategorized, 安琪, 新世纪诗典, 江湖海, 三个A, 伊沙, 侯馬 | Leave a Comment »
3月 20, 2020
为病逝的人祈祷
韩敬源
那鸣叫的蛐蛐是谁的命
那枝头的蝉声是谁的魂
我从你们可能走过的路上走过
我在你们可能躺过的床上休息
2013年8月
Han Jingyuan
I PRAY FOR PEOPLE WHO DIED FROM DISEASE
Whose life is in the cricket I hear?
Whose soul is in the cicada who calls from that twig?
I walk on the path where you may have walked,
I rest on the bed where you may have lain.
August 2013
Translated by MW, March 2020
Han Jingyuan
ICH BETE FÜR DIE WEGEN KRANKHEIT VERSTORBENEN
Wessen Leben ist in der zirpenden Grille?
Wessen Seele ist in der Zikade dort auf dem Zweig?
Auf dem Weg wo ich gehe seid ihr vielleicht gegangen,
Auf dem Bett wo ich ruhe seid ihr vielleicht gelegen.
August 2013
Übersetzt von MW im März 2020
标签：animals, crickets, death, disease, 韩敬源, grass, Han Jingyuan, history, life, memory, prayer, religion, SARS, sickness, soul, souls, virus, 新世纪詩典
发表在 2013, 2020, 20th century, 21st century, Antique times, August 2013, December 2019, February 2020, January 2020, March 2020, Middle Ages, NPC, poetry, Translations, Uncategorized, 新世纪诗典 | Leave a Comment »
8月 14, 2013
Huang Jinming
MUSIC RISING ANEW
clamoring flowers drowning the factory’s din
I am the angriest, rising an inch from the earth
lights and the night, mirrors of flesh
love’s virtual image, opposite
objects lean on each other. horses in sleep
dream of a storm. I am a tree
I talk to my blossoms. I am a fish
I breathe in my river. in the darkness
wildflowers up on both shores burning till dawn
I am the perfect spring dream I cannot express
tongue slides on the tip of the words. rolling rocks
music rising anew, a forest keeps still
roots rotating fast in the mud, in a dance…
bodies forming furniture
axes and saws roar from afar
look how lonely he is, counting his rings
like that tree in the waste
Tr. MW, August 2013
黃金明
<音樂重新升起>
花朵的呼喊淹沒了工廠的噪音
我像那最憤怒的一朵，高出大地一寸
諸如燈盞和夜，肉體的鏡子
和愛情的虛像，兩件相反的
事物互相靠對方。沉睡的馬群
夢見了風暴。我是一棵樹
跟身上的花朵對話。我是一尾魚
在自己的河流上呼吸。黑暗中
兩岸的野花一直焚燒到天亮
我是春天最完美的夢想，但無力表達
舌頭滑過語言的刀鋒。巨石滾動
音樂重新升起，一座森林保持緘默
根在泥土下高速旋轉、舞蹈。。。
身軀形成了家具的模樣
遠方傳來斧頭和鉅子的怒吼
瞧，這個人多麼寂寞，細數著自己的年輪
就像荒野中的那一顆樹
Huang Jinming
ERNEUT STEIGT MUSIK
das rufen der blumen erstickt den lärm der fabrik
ich sei die wütendste, rag einen zoll aus der erd’
der spiegel des fleisches, die nacht und das licht
virtuelle liebe, gegensätzliche dinge
bedingen einander. schlafende pferde
träumen von stürmen. ich bin ein baum
im gespräch mit meinen blüten. ich bin ein fisch
atme in meinem strom. die ganze nacht
brennt blühendes unkraut an beiden ufern
ich bin der schönste frühlingstraum, den ich nicht sagen kann
die zunge rutscht auf der klinge der sprache. rollend geröll
erneut steigt musik, ein schweigender wald
wurzeln rotieren rasend im lehm, dreh’n sich im tanz…
leiber richten sich als möbel
brüllende äxte und sägen von ferne
schau, dieser mensch ist so einsam, er zählt seine ringe
ein baum in der wüste
Übersetzt von MW im August 2013
标签：body, born 1974 in Huazhou, Canton Province, factory, forest, Huang Jinming, poetry, trees, water
发表在 August 2013, Translations | Leave a Comment »
8月 12, 2013
The Globe and Mail article quoted by Paul Manfredi is well informed and sympathetic. But it doesn’t spell out any concrete reasons for Ai Weiwei’s singular status. Ai Weiwei’s status, even after his imprisonment, is that of a “princeling”. It seems to be easier to get rid of Bo Xilai. Bo’s father was one of the “eight immortals” of the Communist Party. Ai Weiwei’s father Ai Qing was a persecuted Communist writer, persecuted under Communist rule since the 1940s. Persecuted before, that’s where he got his name. Most of his colleagues denounced each other. Among famous writers, few seem to have been as obstinate as Ai Qing. He was banished to an army town in Xinjiang, a huge city today. There he cleaned toilets, together with little Weiwei. But after Deng Xiaoping came to power in 1978, Ai Qing became an icon. Unlike Bo Xilai and his henchmen, Ai Weiwei did not build labor camps and organ-harvested Falungong-followers. Before he was arrested, Global Times had published many sympathetic articles about his civil rights activism. And even after his abduction and imprisonment at an unknown location, Ai Weiwei gets to keep his comparatively huge house and grounds and most of his fortune. If he was persecuted too much, the main reason for Ai Weiwei’s status would come out too clearly: It would be awkward to discuss his father’s fate in detail. Cultural policy since the 1940s is no secret to anybody in and around the arts in China. But still. Maybe it would come out too clearly how control over art and literature and everything connected to culture was deemed even more important than in other Socialist countries. How idealism had been betrayed again and again, most effectively with broad domestic and international participation in economic growth after 1989. Ai Weiwei is very different from his father Ai Qing in many aspects, as well from his older brother Ai Xuan, who is also a well-known artist in China. But like his father, Ai Weiwei remains an icon of idealism. It would be awkward and politically dangerous to challenge such icons too much and thus revive ideals in a big way.
The Globe and Mail article quoted by Paul Manfredi gives convincing evidence of Ai Weiwei’s civil disobedience and civil rights engagement. Another good recent piece on Ai Weiwei, his imprisonment in 2011 and comparable phenomena elsewhere around the world is a TED-talk by An Xiao Mina.
Ai Weiwei wrote an indignant indictment of the US behaviour in the Snowden case in The Guardian back in June. That was before the plane carrying Bolivia’s president was refused airspace by France, Spain and Italy on US orders on July 3.
标签：Ai Qing, Ai Weiwei, Ai Xuan, art, canada, childhood, china, civil rights, civil society, contact, culture, dialogue, Global Times, history, Japan, literature, media, memory, nation, politics, prison, repression, rights, Snowden, USA
发表在 August 2013, Uncategorized | Leave a Comment »
8月 6, 2013
Yang Jinsong and Fans
桜（櫻）
白與粉色漂浮
透著光載入一日
在狂人群眾
樹木兀自開花
生長、成熟、垂落
佇立，迎風呼吸
2011/4
英、德文/ 維馬丁
中譯/ 彤雅立、維馬丁
2012-2013
BLOSSOM
shine and float in white and pink
carried forth into the day
all among the loony people
certainly the trees are blooming
growing, falling, ripening
standing, breathing in the wind
MW April 2011
BLÜTE
weiss und rosa leuchtend schweben
fortgetragen in die tage
unter allen irren menschen
blühen zweifellos die bäume
wachsen, fallen, reifen, stehen
atmen, öffnen sich im wind
MW April 2011
那兒沒啥好說的
維馬丁
那兒沒啥好說的
他們全是建築工
拆掉又蓋上
那兒沒啥好說的
他們是孩子充滿歌
歐羅巴的軍樂
吶喊，旗幟飄揚
那兒沒啥好說的
他們是舞動的秋葉
他們是翱翔的飛鳥
那兒是今年的早熱
在城市的放射器裏
那兒沒啥好說的
他們是販售店鋪
歐羅巴的車
裝飾在黑窗子裏
踐踏小包心菜葉
他們被非法販售
那兒沒啥好說的
他們是古老的城河
每個人保持健康
他們試圖去過活
他們站立在街上
他們賣VCD碟
那兒沒啥好說的
那兒啥都能買
這兒是北京，終究
2004
林維甫 譯
2012
THERE IS NOTHING TO DESCRIBE
there is nothing to describe
they are all construction workers
tearing down and building up
there is nothing to describe
they are children full of songs
european marching tunes
shouting, waving up and down
there is nothing to describe
they are dancing autumn leaves
they are soaring flocks of birds
there is early heat this year
in the city’s radiators
there is nothing to describe
they are selling groceries
and the european car
all decked out in darken’d windows
tramples little cabbage leaves
they are sold illegally
there is nothing to describe
they are ancient city moats
everybody keeping fit
they are trying to get by
they are standing on the street
they are selling vcd
there is nothing to describe
there is everything to buy
this is beijing, after all
MW 2004
那兒沒啥
維馬丁
那兒沒啥好說的
我們是活老百姓
蓋上又拆掉
那兒沒啥好說的
那兒沒啥好交代的
我們是活老百姓
蓋上又拆掉
那兒沒啥好交代的
那兒沒啥好記住的
我們是活老百姓
蓋上又拆掉
那兒沒啥好記住的
那兒沒啥好盼望的
我們是活老百姓
蓋上又拆掉
那兒沒啥好盼望的
那兒沒啥好道歉的
我們是活老百姓
蓋上又拆掉
那兒沒啥好道歉的
那兒沒啥好遺忘的
我們是活老百姓
蓋上又拆掉
那兒沒啥好遺忘的
2007/8
林維甫 譯
2012
THERE IS NOTHING
there is nothing to describe
we are ordinary people
building up and tearing down
there is nothing to describe
there is nothing to explain
we are ordinary people
building up and tearing down
there is nothing to explain
there is nothing to remember
we are ordinary people
building up and tearing down
there is nothing to remember
there is nothing to expect
we are ordinary people
building up and tearing down
there is nothing to expect
there is nothing to regret
we are ordinary people
building up and tearing down
there is nothing to regret
there is nothing to forget
we are ordinary people
building up and tearing down
there is nothing to forget
MW August 2007
<主席>
維馬丁
主席，他不是鳥
主席，他不是飛機
到底主席是什麼？
主席為你作一張椅子
主席，他作所有的腳
主席，他作所有扶手
主席，他作每道靠背
主席，他作所有的椅子
別跟我說你不知道
主媳又是什麼？
主媳也會作這些
主媳作所有的腳
主媳作所有扶手
主媳作每道靠背
主媳作所有的椅子
別跟我說你不知道
2008/3
林維甫 譯
2012
CHAIRMAN
chairman, he is not a bird
chairman, he is not a plane
what is chairman all about?
chairman makes a chair for you
chairman, he makes all the legs
chairman, he makes all the arms
chairman, he makes every back
chairman, he makes all the chairs
don’t tell me you didn’t know
what is chairlady about?
chairlady will make them too
chairlady makes all the legs
chairlady makes all the arms
chairlady makes every back
chairlady makes all the chairs
don’t tell me you didn’t know
MW March 2008
<下次>
維馬丁
下次我是顆石頭
下次人生，你會是什麼？
當你死時，你會是什麼？
這問題並不算精確
那裏並沒有一個世界在下次
當我們累了，它就在這裏
而在早上，神會願意
下次我會是張紙
下次我是個孩子
下次人生，你會是什麼？
當你死時，你會是什麼？
這問題並不算精確
那裏並沒有一個世界在下次
它跟著我們，當我們到那裏
而在早上，神會願意
這次我的孩子在這裏
2007年8月
林維甫 譯
NEXT TIME AROUND
i am a rock next time around
what will you be in your next life?
what will you be when you are dead?
the question is not accurate
there is no world next time around
when we are tired, it is here
and in the morning, god be willing
i’m paper then next time around
next time around i am a child
what will you be in your next life?
what will you be when you are dead?
the question is not accurate
there is no world next time around
it is with us, when we are there
and in the morning, god be willing
my child is here this time around
MW August 2007
标签：art, austria, beijing, Beijing 2008, china, Japan, language, life, poetry, taiwan
发表在 August 2013, Welcome! | 1 Comment »
中国大好き 