Posts Tagged ‘reporting’

STOLZ – 西毒何殇 Xidu Heshang

9月 30, 2022
Picture by Huang Kaibing

Picture by Huang Kaibing

Xidu Heshang
STOLZ

Unser einziger Stolz
ist, dass wir lachen über Leute in Wien,
die gehen mit Bannern auf die Straße
und protestieren ihr Leben sei schlecht.
Wenn unser Leben nicht gut ist,
gehen wir nie auf die Straße,
murren nur wir sind nicht fleißig genug.
Und manchmal halt,
egal ob wir leben,
dürfen wir gar nicht auf die Straße.

19. September 2022
Übersetzt von MW im September 2022

《骄傲》
西毒何殇

我们唯一的骄傲
就是可以嘲笑维也纳人
打着横幅上街
抗议自己活的不好
我们活的不好
从不上街
只埋怨自己不够努力
还有些时候
我们活不活着
都上不了街

(2022-9-19)

Pictures by/via Xidu Heshang, Sha Kaige
​and Huang Kaibing

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture via Xidu Heshang

Picture via Xidu Heshang

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

Picture by Sha Kaige 沙凯歌

LIEBE VÖGEL – 君儿 Jun Er

9月 6, 2022

Jun Er
LIEBE VÖGEL

Ich hab als Reporterin
eine biopharmazeutische Fabrik besucht.
Der Direktor kam aus Dänemark,
er hat bemerkt, dass an der großen Glastür
immer wieder Vögel dagegen flogen,
dann waren sie tot oder verwundet.
Das Glas hat den Himmel gespiegelt,
die Vögel haben das für echt gehalten.
Sie haben sich von hoch oben hineingestürzt,
es war praktisch Selbstmord.
Er bat sämtliche Mitarbeiter um Hilfe,
alle dachten nach, und am Ende
hat man zwei täuschend echte Bilder
von Adlern auf die Glastore geklebt.
“Seither hat kein Vogel mehr mit dem Kopf
oder mit dem Körper das Glas angegriffen.”

2021
Übersetzt von MW im September 2022

新世纪诗典作品联展#君儿#(35.0)

 

新世纪诗典第12季,NPC9月7日,4174首,1281人。第35个君儿(天津)日

伊沙推荐:好的平台一定是全部生态系统的抽样调查,君儿在《新诗典》这半月中的处境,就像她在中国诗林中的处境:这是她的35.0,在女诗人中是领先的,绵、厚、韧是她的优势,尖、锐、异是她的劣势,所以这35.0来得真不容易。

​《新诗典》小档案:君儿:这种一首一首追“典”的历程不觉已经12年了,从2021至2022,其间经过了这么多波澜起伏的生命,种种从未有过的际遇,自己都绝对没有想到的,比如3年大疫,比如个人生活的变故。身边仍有这么多亲人和朋友,仍有诗歌,这是最大的慰藉,夫复何求。
感谢新世纪诗典主持人、伟大的诗人和文学家伊沙,无论鼓励还是批评,都是如此难得和珍贵,使我不断鞭策自己,用心写出独属于自己的诗歌,为这份经历与际遇留下自己的声音。不如此,无以回报,我们为古老汉语言文学做出的任何一点努力与贡献,都将是世界级的,因为我们的国度伟大、独一无二;因为我们的文学辉煌,曾经难有匹俦;因为我们有责任创造出当代的好文学,好诗歌。
以前,我爱说生逢诗江湖时代,有了新诗典,与众多好诗人一起,共沐新诗典每日的诗歌盛会与盛宴,进入前无古人的新诗典时代,常怀幸福与不安。幸福因一个个以自己名字命名的诗歌日,一次次的欢欣鼓舞;不安因下一首好诗还不知何处,自己要付出怎样的心血与求索才能写出。这种矛盾与欣喜交织的创作生活,又交织了太多来自时代、来自生活、来自个性的冲击与羁绊,但创作的价值与意义也正在于此吧,抽刀断水水更流,没有这万古惆怅,没有创造的喜悦与欢乐,写它何来。

​伊沙:此图为《新诗典》2018年首届江南诗会当涂祭李白,这个场景被我写进长篇小说《李白》,在场诗人的接力祭词大部分被引用。

况禹点评《新诗典》君儿《爱鸟》:本诗在君儿诗作里属于出“奇”的一路。但其灵感依然是采自生活,围绕着仍然是写实的核心,这一点尤为难得。

​庄生:写得好!今天在微博上无意看到一段视频,说一段绿道被改造了,安装了透明玻璃,跑步的人看到很多鸟儿撞死了。再读到这首诗,心里悯然。

​李岩:我在小县城也经历了同样的事,还是晚上

 

 

VATERS VORBILD – 蔣濤 Jiang Tao

3月 29, 2021

Jiang Tao
VATERS VORBILD

Als ich als Reporter
das erste Mal hinunterstieg,
verstand ich nach vielen Jahren,
dass mein Vater, der Bergarbeiter,
überall hinspuckte und dauernd rauchte,
um den Kohlenstaub aus seiner Lunge
herauszukriegen wie es nur ging.

2021-02-28
Übersetzt von MW im März 2021

新世纪诗典作品联展#蒋涛#(25.0)

伊沙推荐语:用自己的日常生活写作冲了两次拿不下之后,换成他人经验一把过关,这便是蒋涛在《新诗典》十年最后一轮的遭遇。写作就是这么回事:不停地在"写什么"与"怎么写"这两极想办法,以为真理在握或题材优越而一成不变是不行的。

况禹点评《新诗典》蒋涛《父亲的旗帜》:现代诗里,错觉有时会成就一首诗。哪种错觉?瞬间的、顿悟的,背靠着人生沉重、承载着我们对生活、生命努力认知的那一种

Calligraphy by Huang Kaibing

Calligraphy by Huang Kaibing

黎雪梅读《新世纪诗典》之蒋涛《父亲的旗帜》:也许这个世上真的很难有感同身受,只有冷暖自知,刀子插在谁的身上,谁才会感觉到痛。“未经他人苦,莫劝他人善”,这句话也许不仅适用于处理他人的关系,也适用于有血缘关系的亲人之间,尤其是存有“代沟”的两代人之间,有些事情的真相,若不去亲身体验和经历,你永远不会了解。本诗中“那随地吐痰和不停吸烟”的父亲,也许在儿子的眼里是不讲卫生、素质低下甚至是缺乏教养表现,也会被受过良好教育的儿子所不齿,如果不是因为有“第一次下井采访”的机会,恐怕永远不会明白父亲的那些行为,完全是出于自我保护,“是源于想把肺里的煤尘/尽力吐出”,以减轻尘肺病的折磨。这样的“旷工父亲”是中国为数众多的旷工中极为普通的一员,很有代表性和典型性;诗歌富有生命感和生活气息,诗人冷峻客观的描述中隐含的复杂情感,读来直指人心,令人动容。诗题如同一首无言的歌,令人想起美国战争题材的同名电影,这是对父亲最大的肯定、褒奖和最深沉的爱。

Calligraphy by Huang Kaibing

Calligraphy by Huang Kaibing

黄开兵:蒋涛《父亲的旗帜》写出男人生存的一种底色。我在用行书抄写,加入一些我并不善长的章草,生硬而执拗,也许,这样反而和蒋涛的诗意有所暗合……

Calligraphy by Huang Kaibing

Calligraphy by Huang Kaibing

马金山|读蒋涛的诗《父亲的旗帜》的十一条:
1、作品震撼力,也是诗人的责任;
2、觉知在一首诗里,不只是读者知道,作者更应该知道;
3、蒋涛,1969年2月出生于西安市。诗人、作家、编剧、导演。西安外国语大学日本语言文学学士。东京都立大学社会学硕士。1990年受伊沙影响开始写诗,1991年在美国《一行》发表《一旧旧一年历》。第五届李白诗歌奖铜诗奖、第四届亚洲诗人奖大奖得主。现居北京;
4、以往读蒋涛的诗,多是幽默风趣,轻松活泼,搞笑好玩中带有深刻的现实意义,而突然来一首沉重的,的确有点让人眼前一亮,而又猝不及防;
5、短短七行,却足有一篇小说的容量,首先由记者身份,到采访,再到个体的联系与感受,沉浸入沉重而鲜活的现实之中,在人称的转换里,自然而不留痕迹;
6、理解与爱,在一次采访后,成为了一切的答案,并由此构成了儿子隐藏于心的沉重的情感,深沉而厚重;
7、诗中带有对生活的气息与色彩,还有对生命的某种关怀和爱,更有对生存的进一步揭示,是同一群体的共同记忆;
8、此诗虽然有想的成分,但似乎又在情理之中,而这一切,正如诗中所言:“源于想把肺里的煤尘/尽力吐出”;
9、标题用得标新立异,大胆而且厚实,以一种人物形象,将思想中的父亲,融合于一体,情境交融,夺人眼目;
10、本诗给予诗人的启示:“在一个维度中,将事物呈现彻底,也是一种境界”;
11、生命之重、生活之诗、生存之诗。

20

1月 25, 2019

Photo by Liu Xia

 

20

20 years ago I wrote my first Chinese poem.
It was in Chongqing. “Wanbao, wanbao!”
That’s what they cry, all over China. Every afternoon.
“Evening news, evening news!”
Evening paper, every town has one.
Some have morning papers, those are called Zaobao,
most of them.
“Get your evening paper!”
Anyway, “wanbao, wanbao!”
could mean late retribution. Bào, what comes back, gets back,
a report. Wan, late. Zao, early.

“Wanbao, wanbao!”
Chongqing was the wartime capital.
Jiefang bei, liberation monument, is the city center.
It’s not from 1945 or 1949,
it’s from the 1930s or so.
Most people don’t know exactly.
Emancipation column. One of my students called it that.
Kang Di, think it was her.
Emancipation in German means women’s lib.
“Emanzipationssäule”.
I was teaching German.
Women’s Liberation Monument.
Women’s Rights Monument.
She didn’t know emancipation means many things.
Didn’t want to correct her.
Another essay was about marriage.
Were they really so conservative, our elders,
when they married a stranger,
when they slept with a stranger they had never seen before?
Good question.
Good essays, especially the girls, the young women.

“Wanbao, wanbao!”
In Beijing it sounded more like “wanbo!”, although Beijing supposedly
is where Mandarin comes from.
“Wanbao, wanbao!”
Chongqing is a hilly city. No bicycles. What did they do, back in the 1960s,
1970s, ’80s, when no-one had a car?
They had porters, for the steep slopes with the stairs,
I guess they’re still there.
“Bang-bang”, people for hire.
They bang on their tools, bang their tools together.
Bang-bang are men, but there are women porters.
Hong Ying’s mother carried sand, rocks and gravel.
Daughter of Hunger, her most famous book.
Daughter of the River in English, it was a bestseller.
Hungry Daughter, Ji’e de nü’er.
That’s right, they have a “ü”, just like in German,
and like in Turkish. Ürümqi, city in China,
nowadays governed like North Korea.
Many re-education camps. They had prisons in Chongqing,
Liao Yiwu was in there,
another famous writer from China.
Didn’t know him then. But Chongqing is about war and imprisonment.
Lieshimu, that’s the address
of our university. We taught German and English.
Two universities, one foreign languages,
the other law and police. Law and politics. Yes, they are not separated.

“Wanbao, wanbao!” No zaobao in Chongqing,
although I’m not sure now.
Lie-shi-mu, Martyr’s Grave.
Geleshan, Gele Mountain, right behind our college,
other side of the train tracks.
Someone was murdered there, some gambling debt.
Students died, one or two every few months.
Nice walks on Geleshan, very peaceful, really.
“Wanbao, wanbao!” Every city in China.
Nowadays people have cell phones,
but there are printed newspapers and magazines.
And printed books, there is no crisis.

“Wanbao, wanbao!” Late reports, late reports.
From the guns. Or whatever.
Karma. Shan means good, doing good.
A Buddhist word. Shan you shanbao,
doing good has good returns.
Wouldn’t that be nice?
But teachers believe it, teachers and parents,
again and again, otherwise you go crazy.

They went crazy too, war and famine,
all the way till 1961, ’62. When Hong Ying was born.
No, also 1969,
Cultural Revolution, like civil war.
Shan you shan-bao,
good deeds, good returns.
“Shan you shanbao, e you e-bao.”
E like in Urgh! Like something disgusting, that’s what it means.
Ur yow ur-pow, something like that. But more like b.
Eh yow e-bao. Yes, “e” like ur. “You” like yo-uw.
Shàn you shànbào, è you èbao.
Do good for good returns, do bad stuff for bad returns.
Not that it doesn’t come back, time isn’t ripe.
That’s how it goes on.

You throw the boomerang, boomerang doesn’t come back,
they tell you wait, it’ll come back.
Karma.
And so I wrote a Buddhist newspaper poem.
Bu shì bu bào, shíhou wei dào.
Wei like in Ai Weiwei, “ei” like in Beijing.
Wei means not yet, that’s his name. Really.
“Wei” like the future.
His father was the most famous Communist poet
of the People’s Republic. Imprisoned in the 1930s,
maybe in Chongqing. Then again under Mao.
Exiled to Xinjiang, North Korea today, re-education camps.
Desert, somewhere between Dunhuang and Ürümqi,
what was the town? It’s a big city now.
Ai Weiwei grew up in a hole in the ground, with his brother.
They are both artists. Anyway, where was I?

Bu shì bu bào, shíhou wei dào.
Not that it doesn’t come back, time isn’t ripe.
Emancipation monument.
MLK day, I have a dream.
They had to memorize the whole speech,
in schools in China, 1970s.
Maybe earlier too, maybe till now.
Good deeds, good returns.
Bad deeds, bad returns.
The Chinese Dream.
Not that it doesn’t come back.
Zao you zaobao, wan you wanbao.
Morning has morning papers, evening has evening news.
Early deeds, early returns.
Late deeds, late returns.
Late returns after gambling.
Famous party secretary, famous police chief,
they are in prison now. Or one is dead?
Killed a British guy, now they imprison Canadians.
Anyway, my poem.

Wanbao, wanbao!
Wanbao, wanbao!

Zao you zaobao,
wan you wanbao.

Bushi bu bao, shihou wei dao.

Actually the saying goes on, the Buddhist Karma.
Once time is ripe, everything comes back.
You don’t need to say that. People know.

晚报,晚报!

早有早报,晚有晚报。
不是不报,时候未到!

MW January 2019

 

Artwork by Liu Xia

 

Photos by Liu Xia

 

 

POETRY REPORT

2月 25, 2017

51fjytbryfl-_sx334_bo1204203200_-1olpc4c

POETRY

poetry
is impo
rtant
truth
is impo
tent
or is it
or are you

MW February 2017

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REPORT

every report
every detailed incisive report
kind that makes powerful people squirm
is just as important
as any art
any poem
any church, temple
that makes you pause
think
feel
every report

MW February 2017

best-investigative-journalism-in-china-2016-771x578

WARSAW

8月 3, 2015

Warsaw bicycleWARSAW

the eagle is not beautiful
the shadow of the eagle is
they have a chapel for Katyn
across from uprising square
the uprising was very brave
they won at first
the Red Army was there
just across the river
but the Red Army waited
then the Germans came back
they razed Warsaw City
the Red Army waited
that was in 1944
before that was the Ghetto
the Ghetto uprising
Stalin’ s culture palace stands in its place
in the place of the Ghetto
Katyn
was in 1940
tens of thousands of Polish officers
killed by Soviet intelligence
Ukrainians too
they have a chapel for Katyn
across from Uprising Square
tens of thousands of names
and a beautiful eagle
they say
I like its shadow

MW July 2015

Warsaw eagle
SUNSHINE IN WARSAW
Jacqueline Winter

A beautiful summer morning. Biking through the historical center. The bike return station is next to the monument of the 1944 uprising against the Nazis. HOW many dead and wounded, while the Red Army literally stood by on the outskirts of town? And the city dynamited and emptied of its population…you would never think it, looking at it now.
Across the street, inside a church, a simple and gut- wrenching memorial to the Katyn massacre victims. With a side memorial for the Smolensk plane crash of 2010, which I fail to understand. Must ask a local where they see the connection- if they do.
And what a tough people: exiled, murdered, bombed, map redrawn…yet they rebuilt splendidly from the rubble while still dirt- poor and were the first to put up meaningful nonviolent resistance to the Soviets back in 1980. And had free elections as soon as they could.
Swinoujscie – Swinemünde had public exhibits around town about their common history with Germany, bilingual. A strongly German city which was bombed flat 55% for being a naval base. No mention of the pre-war German population in Warsaw, though…
The Warsaw “Stalin cake” / Palace of Culture and Science is still on the grounds of the Jewish ghetto. That uprising was in 1943. A few meters of markings on the ground to show where its outer wall once stood. That is all.

meine rede

ATTITUDE, EMPATHY AND SO ON
Martin Winter

People are trying to get by everywhere. First World vs. Third World (or Second World) creates issues of privilege. Just like different kinds of background, experience, heritage make for issues of disconnect within a common country or region. Why are people stupid enough to vote for or even work with racist rightist arseholes in Hitler-spawning Austria? Austria-Hungary-Germany whatever? My friends in China try to get by. Like people everywhere. Some get to express how they detest the state they are in. Some more than others. Like people anywhere, more or less. Some have their audience, as famous poets or fiction writers. Yes, things have improved very much in Taiwan, and in China there is the same repression going on in some ways. Yes, everyone is taking part more or less, including foreigners. All in all, foreign media is a good influence. Most of it. Everywhere probably, in every country, reporting from any outsider’s stance or background can be very refreshing. I was privileged in Taiwan and in China, in Eastern Europe, even in America. On the other hand, I am in between. Every day I talk and work with people and texts from different worlds. It’s a great life, all in all.

INTERVIEW WITH A MADMAN: XING MIE 星灭三首

4月 23, 2013

Xing Mie (born 1975)
LYRIC POETRY

dog-fucking corn
dog-fucking football
dog-fucking weather
dog-fucking earthquake
dog-fuck society
dog-fuck bosses
dog-fuck reporters
dog-fucking kids
…………
we Sichuan people
open our traps
cursing at dogs
I have a little dog at home
too small to climb stairs
he’s not amused
one fine spring morning
barks up the day
lyric poetry
“barking in heat, dog-fucking creep!”
hardworking father wanting to sleep
I’m almost ready to add a few words
but what makes us bark?
not our dogs

2013-4-20
Tr. MW, April 2013

INTERVIEW WITH A MADMAN

That time at our paper,
Went to an interview.
Went on like this:
“Who are you?”
“Who are you?”
“Why did you kill him?”
“Why did you kill him?”
“Why are you here?”
“Why are you here?”
Went on forever.
Didn’t know what to do.
Suddenly his idiot laugh
Made me embarrassed.
“Number 13!”
“Present!”
“Take your medicine!”
“Yes!”
Doctor and patient
Curt, loud and clear
Immaculate white
All over the room
When I was leaving
He asked very friendly:
“What is your number?”
This is the question
I have kept asking
Myself for years.

2012-12-14
Tr. MW, April 2013

COCKS

if you don’t sing
you are a cock

skulls in the night gnashing their teeth
make your hair stand up on end

in your pupils, from the shadows
feathers hatching, wings unfurling

birdcalls drift above the city
rage against the gloomy forest

birdheads! crazed and cocky kids
twilight subjects, heaven’s rebels

2012-7-15
Tr. MW, April 2013

More from Xing Mie

Xing Mie (geb. 1975)

VOGELMENSCHEN

wer nicht singt
hat einen vogel

knirscht ein schädel in der nacht mit den zähnen
stehen dir heimlich die haare zu berge

aus den schatten in den pupillen
schlüpfen federn, werden flügel

vogelrufe treiben am himmel
gegen die trübe ragenden häuser

vogelmenschen! bunte schwänze
dunkle kinder, rebellen am himmel

2012-07-15

Übersetzt von MW, März 2013

Chinese originals

More from Xing Mie

Liu Xiaobo worldwide reading

3月 23, 2011

The world-wide reading on March 20 was a big success. In Leipzig, as far as I heard. In Vienna, it was interesting. Instructive. Great experts. Reporters Without Borders. Amnesty International. Writers in Prison, with Helmuth Niederle from the Austrian PEN. Professors from the East Asia departments of Vienna and Bratislava. Poetry. Protesters in China, in prison. Women, peasants, workers. In spirit. In between. Over 90 cities in 33 countries on six continents. At least. Gerhard Ruiss and Bei Ling read in Leipzig. At the book fair.

Herta Müller’s speech on March 20 in Berlin was published in the FAZ on March 26. Very good speech. She has read the biography. Maybe a little too fast. The labour camp didn’t come immediately after the first prison term. He wrote the confession in prison at the end of 1990 and went free in January 1991. Everything else is correct. The episode with his father, who wanted him to give in. And the labour camp. She does take a side, very emphatically. The last sentence is the most important one. “More and more supporters of Charter 08 are disappearing in jail.” Liu Xianbin was sentenced to 10 years a few days ago. Altogether he has been sentenced for more than 25 years since 1989. His most serious crime seems to have been one of the founders of an opposition party at the end of the 1990s.  Liu Xianbin’s wife Chen Mingxian chronicles her life in the last 20 years in this account: http://08charterbbs.blogspot.com/2010/10/blog-post_23.html

There is also a good piece in the NY Times by Geng He, wife of the human rights lawyer Gao Zhisheng: http://www.nytimes.com/2011/03/28/opinion/28geng.html

Teng Biao has disappeared, Ran Yunfei has been detained for a while, and now Liu Xianbin has been sentenced to 10 years, to name but a few. The situation is very clear. No progress, just the opposite.

MuseumsQuartier Wien, Raum D / quartier21 - Photo by Pernille Koldbech Fich

There will be a reading with Bei Ling, poet and publisher, in Vienna at the same location on April 12.

Liu Xiaobo biography events

1月 17, 2011

Liu Xiaobo, the Chinese dissident sentenced to 11 years on Dec.25th 2009 for “inciting subversion“, was awarded the Nobel Peace prize in absentia in Oslo on Dec. 10th, 2010. Liu’s old friend and Independent Chinese PEN co-founder Bei Ling has written a biography of Liu Xiaobo. Bei Ling started off from an essay he wrote in June 1989 in New York, after Liu Xiaobo had been arrested in Beijing in the aftermath of the massacre throughout the city, as People’s Liberation Army troops forced their way through the streets blocked by protesters in the last phase of the demonstrations on Tian’anmen Square. Liu Xiaobo had returned to China from New York and led a hunger strike of intellectuals on the square, supporting the students and Beijing residents in their demands for civil liberties. Bei Ling‘s essay from 1989 was re-published in Chinese in Hongkong and Taiwan in June 2009, and in the German newspaper FAZ on October 12th, 2010, a few days after the Nobel Peace prize announcement from Oslo. Soon after, the German publisher Riva expressed interest in a biography of Liu. Bei Ling had recently written a literary memoir of his years a Beijing underground poet in the 1980s and a literary magazine editor, shuttling between China and foreign countries, in the 1990s. Liu Xiaobo and other old friends such as Liao Yiwu are important figures in Bei Ling’s memoir, to be published by Suhrkamp in Germany this year. So Bei Ling was ready to write his biography of Liu Xiaobo on short notice. It was a crazy idea, but it worked. We worked around the clock in November 2010, and in early December the book hit the shelves. In the first week, from Dec. 9 to 16, it sold 2500 volumes, according to the publisher. Since then, Bei Ling’s biography of Liu Xiaobo has been reviewed in many newspapers, magazines, on TV and radio stations etc. throughout Germany and in neighbouring countries. This month (January 2011), according to the publisher, the book has started to appear on the Spiegel magazine’s bestseller list, the standard list in the German-speaking realm. On January 11th, 2011, a symposion with Bei Ling, Prof. Weigelin-SchwiedrzikProf. Findeisen, Prof. Zhu Jiaming, Dr. Felix Wemheuer and others was held at Vienna University and met with great interest among students and teachers from various faculties. See here …

Liu Xiaobo 劉曉波 discussion at Vienna University 1/11/11, featuring Liu Xiaobo biographer Bei Ling 貝嶺, Prof. Weigelin 魏格林, Prof. Findeisen 馮鐵, Dr. Felix Wemheuer 文浩, Prof. Zhu Jiaming 朱嘉明 and many others. Felix Wemheuer, noted for research into the Great Leap Forward famine, moderated the lively discussion following Bei Ling's lecture.

Liu Xiaobo biographer Bei Ling at Vienna University on Jan. 11th, 2011. Photo: Angelika Burgsteiner

late reports

3月 21, 2008

late reports

evening papers!
late reports
they were shooting in the sky
finally we have some rain in beijing
latest stories from tibet
sound like taiwan ’47
taiwan and tibet in china
they are different views of china
vietnam or mongolia
there are many different views
wanbao, wanbao!
zao you zaobao
wan you wanbao
bushi bu bao
shijian wei dao

MW March 2008